Reblogged from omegamorningstar  4,327 notes
minim-calibre:

unlockaflockofwords:

rynnay:

unclewhisky:

we-the-antisocials:

This is literally what Terry Pratchett wears to conventions. 

What a good thing is Terry Pratchett.

As a rule I have to reblog Terry Pratchett, even if I’ve already done so before.

Seriously, tho: he is our GREATEST LIVING WRITER and if you disagree I will fucking fight you.

There are two writers (not counting ones I know, because that’s completely different) I have gone to see speak in person.
One was Kurt Vonnegut, the other was Terry Pratchett.

minim-calibre:

unlockaflockofwords:

rynnay:

unclewhisky:

we-the-antisocials:

This is literally what Terry Pratchett wears to conventions. 

What a good thing is Terry Pratchett.

As a rule I have to reblog Terry Pratchett, even if I’ve already done so before.

Seriously, tho: he is our GREATEST LIVING WRITER and if you disagree I will fucking fight you.

There are two writers (not counting ones I know, because that’s completely different) I have gone to see speak in person.

One was Kurt Vonnegut, the other was Terry Pratchett.

Reblogged from mynameisagent  27,492 notes

musical-treasures:

So a boyband walked onto the Britain’s Got Talent stage and everyone thought they were going to sing One Direction or something typical…and then they sung Stars from Les Miserables.

This is the best thing ever. Just listen to those harmonies <3

This was my favourite song for singing cycling home at midnight, also favourite song for cycling through the few sections of lyrics I actually know

Reblogged from steampunk-and-junk  1,691 notes

myampgoesto11:

Photographer Giuseppe Lo Schiavo: Ad Vivum 

Artist statement: 

I have imagined this photographic series as a journey with no space-time boundaries , a bridge that links the Flemish painters such as Vermeer , Jan van Eyck, Robert Campin and even Tiziano, Antonello da Messina with the digital photography; An amalgamation of the classical aesthetic with a modern medium. I wanted to create portraits without explicit time references, chronologically uncertain. Therefore I asked from the subjects of the photographs to imprison their emotion while at the same time to be mysterious. Subjects whose identity is revealed by peering at 3 emotion filters: the expression of the subject, the emotional reaction of the artist that addresses his vision and the reflection of the observer who tries to identify what part of the subject he wants to grasp. In those images, warm and cold colors coexist which are diffused and distributed through the subjects – in a similar manner as in the pictorial portraits – creating sculptures, motionless subjects, smooth and stiff like marble. The Latin name ‘ad vivum’ is taken from the engravings that some painters inserted under their paintings in order to specify that the painting was painted live.